A) Dynamics and gradual dynamic changes were specifically notated by composers.
B) Dynamics were not notated by composers; they were improvised by performers.
C) Dynamics could change only from movement to movement within a piece.
D) Dynamics were notated by composers but remained more or less constant throughout a piece.
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A) vocal music.
B) chamber music.
C) opera.
D) orchestral music.
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A) play along with the woodwind section.
B) play along with the string section.
C) support the main harmonies.
D) play special effects such as fanfares.
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A) harpsichord
B) French horn
C) piano
D) violin
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A) the opera house
B) regular public concerts with subscription ticket sales
C) music in church services with subscription ticket sales
D) salon concerts with ticket sales
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A) writing harmony for its pleasing sonorities
B) distributing notes in chords among various instruments
C) using the continuo to suggest the harmony
D) developing greater subtlety in rhythm and harmony
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A) sonata.
B) divertimento.
C) concerto.
D) chanson.
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A) the secular cantata.
B) opera seria.
C) the secular oratorio.
D) comic opera.
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A) salon concert.
B) opera house.
C) concert hall.
D) cathedral concert.
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A) one of each: flute, oboe, clarinet, and bassoon.
B) two of each: flute, oboe, clarinet, bassoon, and optional saxophone.
C) one of each: flute, clarinet, bassoon, and optional oboe.
D) two of each: flute, oboe, bassoon, and optional clarinet.
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A) Rococo.
B) Baroque.
C) Viennese Classical.
D) salon style.
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A) more polyphony in symphonies.
B) more complex plots in opera.
C) simple characters singing "natural" music in opera.
D) mythical characters singing complex music in oratorios.
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